WORKS

VOID  
mirror cut • mirror, wood
47×47×5cm
2016-

The project focuses into memory. The looking glass acts as an interface between the present (ego) and the past. When a mirror is being cut, in a way the reality is shaped, and this is the modification of the perception itself.
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LIGHT SÉANCE
interactive light installations
2015-

The installation seeks to transpose artistic research into practice by actively involving the viewer. In these works which depend on the recipient’s activity, the viewer is recast as a researcher, creator and discoverer, and the works are projected in the exhibition space by means of light controlled by the viewer. It is more like an event that an exhibition.


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KEEPING SHADOWS
interactive light installation / archive images from Mito Public Library, Mine Public Library, and Yuda Onsen Ryokan Cooperative Association/ projector, 650W light beam / dimension variable / 2016  

The installation Keeping Shadows invites the visitor to participate. Collected archive images show the tradition and the people’s life of Yamaguchi. In the exhibition an over lighted projection hides the images, which only became visible throw interaction.
While visitors steps into the light, their body became the medium to show “the features of this land”.

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FILTERING LIGHT 
Interactive light installation / archive pictures from Mr. Michihiro Ota / slide projector bamboo, handmade Japanese Mino washi paper by Toyomi Suzuki, tatami mats / dimension variable / 2016

The installation based on the pinhole phenomenon. In Japan this phenomenon appeared naturally because of the fusuma* doors, and the paper panelled shoji **walls. So the traditional Japanese architecture is actually a camera itself.



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IN MEMORIAM László Tuza
light-shadow installation in a hot spring, 170 lumen LED, ceramic – made by László Tuza (1949-2016), motor, various size, Török Sándor Bath Hódmez
ővásárhely / HU
2017

I have spent unforgettable time and deep conversations with my dear college László Tuza, in the outdoor thermal bath, while we watched the flying steam. After László 'crossed the water', I decided to project the shadow of his sculpture into the ascending steam.

BECOMING
light installation / rubber tyre, light / 31x31x10 feet + projection / 2015

For my first time to the US, I chose a few classic American novels to read.  On the Road by Jack Kerouac was particularly moving, and inspired me to create the piece “Becoming.”  For me, a tyre represents freedom; for many Americans, it also symbolizes progress and speed.  In addition, rubber (caoutchouc) tyres are recycled and made into asphalt, therby transformed into the road itself. 


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SEEING THE PAST
light installation / candle, mirror, LED light, wood / 18x6x5 in / 2015

When we look into a mirror, there is actually a slight time difference between what we see and what we perceive.  There is an appreciable and calculable interval of time between the throwing by a man of a glance at his own face in a mirror and the registration of the reflected image in his eye. 

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MATERIAL MEMORY
soudn installation / handmade mino washi paper, iron oxide (FeO), nebeshi glue, tape recorder, tatami mats, meditation pillow / size variable / 2014

I have been recorded sound into mino washi paper during the MINO-AIR artist in residence program in Mino city. My experiment was a kind of rediscovery of the possibilities of paper.


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LAYERS 
video installation / size variable
2013-


Everyday phenomenon, like window reflections can also be used as an interface to show something invisible. Light and its reflection may create ghost like pictures, as the 16th-century scientist Giambattista della Porta had alread
y pointed out in his work Magia Naturalis (Natural Magic) 1584. 
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AUGMENTED MEMORY 
AR installation, Parthenon -Frieze Hall Budapest / 2012

Time and memory became the main topics of an experiment based on Augmented Reality. The installation was part of a PhD research project into the artistic usage and possibilities of immersive and augmented virtual reality. Using Augmented Reality, the past and the present placed together, and time passed became visible.




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CASE STUDY
installation / wood
2012-13

The project called Case Study, poses certain questions.: “What people or generally the society expect from the artist?” or  “What does it really mean to be a contemporary artist?” and asks the question: “What the Museum means for you?”


WITHOUT MATERIAL
steel, wood, mirror / 20x20x20cm; 30x30x30cm; 60x60x100cm
2008-2011
The project plays with the sensation of space and trust of our own senses. I focused on the possibilities of being in space without material. I placed objects between concave mirrors, so they lost their materiality and through a certain transformation, they appeared to be floating in the three dimensional space. 


HOMMAGE Á Tibor Vilt 
The solo exhibition: Hommage a Vilt Tibor presented in the Parthenon-friz Hall in Budapest in 2006. The title of the exhibition became the title of the series of electromagnetic experiments created in between 2004 and 2009. 
The experiment with electromagnets is really a research that combines theory with practice.  The starting point was an unrealised idea / project of the Hungarian artist Tibor Vilt (1905-1983) who wanted to create levitating sculptures in 1973.

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